文字诗学以汉字的视觉性、语义性与象征性为根基，横跨文学书写、文字设计与文本艺术，把“设计即书写、书写即内容生产”作为方法论。在现代主义与观念艺术的历史视野中，我们将文字从形式控制转向内容主权与社会叙事的生成实践，探索文字在数字媒介、空间环境与公共语境中的动态生成与公共性。自2023年至今，项目已完成7场不同尺度的展览与现场行动，逐步形成一个跨学科、跨媒介的开放平台。

Typoetics takes the visual, semantic, and symbolic qualities of Chinese characters as its foundation, traversing the territories of Literature/Writing, Typography, and Text Art. It adopts the methodology of “design as writing, and writing as content production.”
Within the historical horizon of modernism and conceptual art, the project shifts typography from formal control toward a generative practice of content sovereignty and social narration, exploring the dynamic formation and publicness of text across digital media, spatial environments, and social contexts.
Since 2023, the project has realized seven exhibitions and site-specific actions of varying scales, gradually forming an open, cross-disciplinary, and cross-media platform for research and practice.

文本作为艺术的主体由来已久，尤其是在中国。直到早期现代，拉丁文字世界的现代文本艺术开始不断涌现。站在过去与未来、东方与西方的当代中国，我们在文学书写（Literature/Writing）、文字设计（Typography）与文本艺术（Text Art）之间开辟了一个开放性实践领域，一起探索当代文字编排的多重可能性

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